Show-n-Tell Ceramics, Large Raku Coil Vase

Me and my large raku coil vase.

Playing with Clay

Summer means Raku workshops! Peter Syak, one of my wonderful Ceramics instructors, teaches Raku out of his carriage house/studio. I always learn a ton, meet new students, and have a meditative time working on new projects. This summer I learned how to make a large coil pot, building it up with flat strips of clay. As soon as its smokey scent abates, I’ll bring my vase inside and add some tall decorative branches.

Happy creating!

The Hasslesmat glaze dripped underneath Aqua Lustre which is just what I wanted it to do!
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Show-n-Tell Ceramics, GR Pottery Forms

Image source: Scarva

Experimenting with Shapes and Textures

New ceramics supplies at the Visual Arts Center of NJ means time to experiment! I’ve been creating textured dishes with the studio’s GR Pottery Forms. These cool, fiberboard shapes come in a variety of shapes and sizes, and I’ve been having fun trying out different forms, applying textures, and finishing with different glaze combinations.

Next up will be small, wheel-thrown bud vases. Hon, I’ll let you know how they turn out.

Happy creating!

Basket weave texture on medium, rectangular dish. Stones on long, thin dish, made without a form.
Hexagons, plaques, and oval with leaves, swirls, stones and lace textures.

Show-n-Tell Ceramics, Textured Dishes

Clay Class

I spent a large part of the Fall semester’s Ceramic class working on a project that was way more challenging than I’d imagined. Since I’m going to Raku glaze and fire those pieces, that “Show-n-Tell” is a long way off. Once I’d finished throwing a number of closed spheres, I wanted to work on easier projects that would be glazed and fired much more quickly. Hon, you know I love texture so I pulled out my texture mats and got to work.

These ceramic pieces were created by using inspirational forms available at the studio. For the two small, shallow bowls and square bowl, rolled out clay was textured and then laid, trimmed and pressed into wooden bowls. The larger tray was textured and then draped, trimmed and pressed on top of a wooden tray. The berry bowl is an add-on. It’s not textured but I punched holes out to create a small colander. That was a project that I’d put away half-way done and just finished. So sweet!

Thanks for viewing and happy creating!

Show-n-Tell, Baby Cable Ridge Blanket

One of my nieces gave birth to a sweet baby girl!

The minute I heard about the pregnancy, my hands were itching to knit a baby blanket. I couldn’t decide between light pink or variegated yarn. I checked with the mom-to-be and it was decided–I’d combine a cool, modern yarn with a traditional pattern (shout out to Patty, the owner of Wool & Grace, who suggested the yarn and pattern). I hadn’t knit cables in a very long time (maybe not since college?) but, after a quick reminder, I was ready to go. I love how this Baby Cable Ridge Blanket turned out!

Details:

  • yarn–Malabrigo Rios, 100% Superwash Merino Wool, color “276 Medusa”
  • finished size–approximately 24″ x 32″ but after blocking, the one I knit is 27″ x 46″

Show-n-Tell Ceramics, Neriage Nesting Bowls

Neriage (pronounced nair-ee-ah-gee)is the Japanese word for the technique of combining different colored clays.

Neriage, according to ceramic artist Thomas Hoadley, comes from “neri…a root word meaning ‘to mix’ and age…a root word meaning to ‘pull up.’ This refers to the pulling up action in throwing clay on a wheel, hence neriage refers to wheel work with colored clays.”

I created these bowls by layering brown and white clay, and then throwing the combined clay. I glazed the insides in matte white and the outsides in glossy clear. Stripes give way to swirls and, since I wanted to maintain the clays’ natural patterns and didn’t smooth the insides completely, you can feel some of the throwing lines.

Patterns and textures–so fun to create!

Show-n-Tell Ceramics, Nerikomi Mugs and Plates

Mugs and coordinating plates. Insides and edges glazed with Sky.

Hon, have you heard of Nerikomi?

Neither had I and, although I’d combined different clays in the past, it wasn’t until this spring that I learned what it was called. Peter Syak, one of my amazing instructors, had finished Nerikomi hand-built mugs and coordinating dishes and, as ones does in ceramics, I wanted to try to create the same. Peter glazed the insides and edges of his pieces with GB Blue and I used Sky. More posts to come on this very cool technique.

Nerikomi defined by Robin Hopper, author of Making Marks:

In Japan, the words ‘neriage,’ ‘nerikomi,’ and ‘zougan’ are all used for specific colored clay processes and there is some confusion as to which is which. In England they are often referred to as ‘agateware;’ in Italy they’re often referred to as “millefiori,” from a decorative glass-forming process meaning “a thousand flowers.” 

In Japan the words neriage (pronounced nair-ee-ah-gee), nerikomi and zougan refer to different ways the colored clays are used. Always interested in why things are called what they are and the confusion surrounding names, I asked Thomas Hoadley, a long-time artist working with colored clays, about the Japanese names.

Hoadley told me, ‘When I became aware that colored clay work would be my primary life’s work, I figured I should get to the bottom of the nerikomi/neriage question. I had been told that even in Japan the terms are mixed up. I spoke to a Japanese woman who lives here, and she explained that neri is a root word meaning ‘to mix’ and age is a root word meaning to ‘pull up.’

This refers to the pulling up action in throwing clay on a wheel, hence neriage refers to wheel work with colored clays. Komi means ‘to press into,’ as in pressing clay slabs into a mold. Nerikomi thus means hand-building with colored clay, which in Japan I guess usually meant mold work. It has been expanded to include other methods of hand-building.”

Neriage and nerikomi both use either naturally occurring colored clays or light-colored clays that are specifically stained to satisfy the artist’s color requirement. Neriage, or agateware, is done by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling blend of the clays. Cutting across the grain…will expose an infinite variety of random patterns.

Robin Hopper, author of Making Marks, for Ceramic Arts Network Daily, April 21, 2021

Show-n-Tell, Knit Lantern Blanket

Are you a several-projects-at-a-time or a one-project-til-its-finished person?

I’m in the “several-projects” camp, and usually enjoy having choices, but working on this Lantern Blanket became my sole project from Fall until Spring. Shout out to my friend Ina who shared this pattern by @ Woolture by Sia Nv Estate. I think Ina knits blankets as quickly as I bake a tray of cookies because she has finished many blankets. Hon, this will be the only (and I mean ONLY) full size afghan I work on for a very long time. It took a ton of concentration, mistakes unraveled, rows re-done, and language not suitable for this G-rated blog. But, I did it! I finished this blanket before summer. One big goal accomplished. Whew!

Yarn info: Sueno Worsted HiKoo, 80% Merino Superwash, 20% Viscose from Bamboo, color Manatee

Source: Where else? Wool & Grace

Yarn Picks the Person Infinity Scarf

When deciding which knitting project to work on, sometimes I start with the pattern and sometimes I start with the yarn. When I found this chunky, variegated, green, wool yarn, I knew immediately who it was meant for. Using an easy rib pattern, I knit this infinity scarf as a holiday gift for my niece’s fiancé, Cherie. Looking forward the day when this pandemic is over and we can attend and celebrate the postponed wedding of she and Aline!

Want to know how talented Cherie, the stage manager for Hadestown, is? Click here to see all of her professional pursuits?

Happy holidays, hon!

 

Make Do and Mend, Hand Knit Market Bags Lined with Pretty Prints

“Make Do and Mend,” a philosophy of repairing and reusing clothes and material, originated in the UK during WWII. Though I often see alternate possibilities for household items and fabric (My family says I’m a pack rat. I call it being creative!), during quarantine the whole family was making do and mending. So, it’s no surprise that when I wanted to line my hand knit market bags (pattern below), I dug into our bag of bags and found the perfect liners:  pretty printed cotton shopping bags.

Steps to create liners out of cotton shopping bags:

  • Wash and iron bags.
  • Cut off handles.
  • Insert into knit bags and pin to fit.
  • Fold over and iron top seams.
  • Pin liners inside knit bags.
  • Sew.

During WWII, the British Ministry of Information released a pamphlet titled “Make Do and Mend.” It provided tips on how to be both frugal and stylish in times of harsh rationing. Readers were advised to create pretty “decorative patches” to cover holes in warn garments, unpick old sweaters to reknit into new styles, turn men’s clothes into women’s, as well as darn, alter, and protect against the “moth menace.”                                                    Green America

Pattern for Double Handled Market Bag from Plymouth Yarn.

DOUBLE HANDLED MARKET BAG

Yarn: 2 (3) 100g skeins of yarn

Gauge: 4.5 sts=1″ over st st on size 7 needles.

Needles: 16″ circular size 7. 24″ circular size 13.

Finished Size: Approx. 16 (20)” long. Bag will stretch.

BOTTOM: With size 7 circular needles, loosely cast 25 sts. Working back and forth in garter st, knit 46 rows or until square. Bind off loosely, leaving last st on needle. Do not cut yarn. Continuing with the circular needle, pick up and knit 96 its all around the base (24 sts per side). Place marker and join. Knit 1 round.

SIDES: Change to larger circular needle and begin pattern:

Round 1: Knit.

Round 2: *(Yo, k2tog); repeat from* around.

Round 3: Purl.

Repeat rounds 1-3 9 (11) more times until there are 10 (12) sets of “eyelet holes” up the side. End with round 3.

Next round: Change back to the smaller circular needle.

Round 1: Knit.

Round 2: Purl. Repeat these 2 rounds until there are 7 (8) ridges: 14 (16) rounds total. End with a purl round.

STRAPS: On next round: BO 14 sts, K10, BO 14 sts, K10, BO 14 sts, K10, BO 14 sts, K10. Working back and forth on these last 10 sts only–knit every row until total length of strap is 11 (14)”, ending with a WS row. Pick up the 10 sts from the opposite side (1st set of knit sts) and holding and right sides together, work the 3 needle bind off–attaching the 2 sets of sts.

Reattach yarn to second set of 10 sts with WS facing. Knit every row until total length of strap is 11 (14)”, ending with WS row. Pick up the 10 sts from the opposite side (3rd set of knit sts) and holding the right sides together, work the 3 needle bind-off-attaching the 2 sets of sts.

Weave in all ends.

Abbreviations: K=knit, p=purl, st(s)=stitch(es), RS=right side, WS=wrong side, yo=yarn over, k2tog=knit 2 sts together, BO=bind off, st st=stockinette stitch

Cold Weather Cowls, Squishy Soft Infinity Scarves

IMG_1797
Eli wearing her infinity scarf.

Holiday gifts for two of my beautiful nieces? Check!

Yay to knitting two more infinity scarves and finishing them in time to give as holiday gifts! I made both using the pattern below, but I made Gavi’s taller. When I’m done needlepointing a canvas that will become a pillow, I might knit another scarf…or a hat…or a sweater…or those cool, fingerless gloves…

So many fun projects to consider!

IMG_1759
Eli’s scarf.

Gavi’s scarf.

 

 

 

 

 

Squishy Soft Cowl

Yarn: about 120 yards

Needle: 18″ to 24″ circular, sized to work with yarn

Finished Size: approximately 30 inches in circumference and 6 inches tall

Directions:

  1. Using a long tail cast on, cast on 87 stitches.
  2. Join for working in the round, being careful not to twist your work.
  3. *K4, P4, K4, P4.* Continue in pattern until about 3 yards remain.
  4. Bind off in Purl.

Source: Jill June at Studio June Yarn, studiojuneyarn@sbcglobal.net