Show-n-Tell, Ceramics and Needlepoint

Working with my hands is my meditation.

I purchased this floral and geometrics needlepoint canvas at Wool & Grace and decided to switch the original colors from pinks and oranges to blues, yellows, green and grey. I finally had it made into a pillow and really like how bright and cheerful it is.

When it comes to Ceramics, it seems I work in sets. Maybe that’s my way of improving upon a technique or maybe it’s because I get into a creative zone and keep going. The past year, I spent a lot of time hand-building different size jewelry/catchall dishes: some made free-form and some using GR Pottery Forms. I re-visited pressing real leaves into clay, but when I used a dark stain called iron oxide to define stems and veins, it bled and smeared. More practice needed.

Carving into clay that’s been brushed with slip is a technique called Sgraffito. Slip is thin colored clay that’s painted on a piece before it’s put into the kiln to be bisque fired. The slip and clay are set aside to dry. “Once the piece is firm enough and the surface is not tacky, a design or pattern can be carved through the slip and into the clay body beneath. Once the design is pulled away by incising, there is a beautiful contrast between the slip and the clay. This contrast is stronger after firing and glazing.” (source: Cindy Couling)

A new semester of Ceramics classes started and I’m trying to get back to the pottery wheel.

Hon, you know what I’m meditating on when I work with my hands? Stories, characters, plots, and words. My mind doesn’t rest!

I pressed real leaves into the clay and tried defining stems and veins with iron oxide.

I used a technique called Sgraffito, which is carving into clay that’s been brushed with slip.

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