Highlights Foundation Word Garden

Highlights Foundation Kidlit writer retreats in the Pennsylvania Pocono Mountains are said to be magical. I’d head the campus is a place where editors and agents take the time to read and discuss the writers’ work, publishers and writers support each other in their joined goal of creating quality stories for children, there’s space and time to write, imagination is nurtured, and the food is excellent. One writer-friend told me a retreat changed the course of her career.

I’d also been told poems were “written” in the Word Garden, but had no idea what that was. In October, when I attended the “Jewish Symposium 2022: An In-Community Experience for Jewish Creatives,” I found the place where words are engraved into hundreds, if not thousands, of smooth, round stones. There, amongst the nouns, adjectives, prepositions, and verbs, sit “tables” made of flat-topped boulders—surfaces on which to create and communicate associations, poems, stories, wishes, and dreams.

Truthfully, hon, the Word Garden made me emotional. It felt like the words were pleading with me. They wanted to be lifted from the piles, combined with other words, and formed into something funny, catchy, quirky, or meaningful. Something all their own.

It felt like the smooth stones with grey and black engraving wanted what my own words want–to be known as stories that are lyrical, honest, beautiful, and wonderful. Stories which can be read over and over, and each time reveal a little more magic.


When I was ten years-old, I started attending a Girl Scouts sleep-away camp in Shadowbrook, MD. Upon arrival, we were told we could be called whatever name we wanted. My counselors were Clover and Honey, and I asked to be called “Flower.” Thereafter, in the summers I spent at Shadowbrook, I was known as “Flower.” No one knew my other name and I preferred it that way.

As “Flower,” I was free and happy and curious and independent and adventurous. I made friends with the other girls, and also the raccoon who woke me up in the middle of the night when it stood on my chest and spoke to me with its shiny, black eyes. I said hi to the daddy long legs who climbed over my sleeping bag as I slept under the stars. I practically touched the constellations which lit up a dark, wild grasses-filled meadow. I swam every morning at dawn with the Polar Bear Club, tracked animal footprints while hiking in the woods, cooked over an open fire, learned how to use my Swiss Army Knife, and helped out in the mess hall and wherever else I was needed. I wasn’t afraid of the dark or the cemetery adjacent to the camp. I belted out the words to the “The Littlest Worm” and other songs. No one told me to shut up. Or worse. At Shadowbrook, I didn’t have to pretend to be a mouse. I was a lion.

As sweet as a flower, but as strong and brave as a lion. I was who I was meant to be.

When I started writing and illustrating my own picture books, also as a ten year-old, my pen name was “Flower Milsten.” Flower was with me in the Word Garden.

Here and now,

Flower

must make it through

the thicket of bramble

in order to 

succeed in finding

light and water and wind.

			

Highlights Foundation Writers Retreat

Lucky me! I recently attended a Highlights Foundation writers retreat in the northeastern Pennsylvania Pocono Mountains. The campus consists of a “5,200-square-foot Retreat Center known as the Barn, 21 cabins, a lodge, and the Founders’ farmhouse, located in Boyds Mills–10 miles from Honesdale, Pennsylvania.”

I’ve known about the Highlights Foundation since I started on the path to publishing Kidlit and, thanks to a generous scholarship from PJ Library, I was able to attend the “Jewish Symposium 2022: An In-Community Experience for Jewish Creatives.” PJ Library, an organization that “sends free Jewish children’s booky to families across the world every month,” is also well-represented in the synagogue preschool where I teach. Everywhere I look…beautiful children’s books!

Hon, I was so nervous when I drove up. Nervous as in major imposter syndrome! What business did I have being there, surrounded by award-winning Kidlit authors, talented illustrators, well-known Jewish educators, and successful literary agents?

The main reason I signed up was because my literary agent Rena Rossner was going to be there. She was wonderful as were the other professionals, writers, illustrators, and educators. My nerves didn’t go away completely, but though it was my first, hopefully it will not my last writers retreat.

The Highlights Foundation positively impacts children by amplifying the voices of storytellers who inform, educate, and inspire children to become their best selves.

We do not take lightly what it means to create engaging, authentic stories for children and youth. We believe that you, as storytellers, have profound impacts on the lives of children. This matters a great deal to us as an organization, and most importantly to our world.

Highlights Foundation





Sorbet for the Soul, Energy

Energy is my buzz-word.

It’s the word people say to me (“You must have a lot of energy” referring to my four children) (“Where do you get all of that energy?” referring to my passions and interests) (“You’re high-energy, aren’t you?” referring to my aura, but not meant in a nice way).

It’s the word I use to describe how I raised those four children along with many other children–on snow days, half-days, and random days off. I filled my car and we drove to the beach, headed to a mountain to ski, rode the train to the city, invited kids to spend a vacation with us, and was “the house.”

And all along the way, I put my mental and physical energy towards writing Kidlit.

Over the last year, I’ve given a lot of thought to the word, concept and reality–where do we put it, how are we using it, is it going to our pursuits and passions, or are we squandering it on unimportant things? We must focus on health, family, and work, but where do we fit in, carve out time, and make a priority our pursuits and passions? Until they become a reality?

Hon, I’m working on it.

Sorbet for the Soul, Memorable Moments

I always wear headphones when I run or walk, but often decide not to listen to anything. Same goes for music in the car. As, I’m sure, many of us do, my mind has to process, think, count blessings, and pray.

Outside, I listen to the wind whisper to the treetops until its message reaches the leaves at eye level and they turn to answer.

I’m trying to find out if I’m on the right path in my Kidlit writing journey. And when quiet and concentrating, I whisper my wishes to the leaves at eye-level and send them through the treetops so that the wind will gather them up and then let them go into the ocean-like skies and out into the universe.

I hear blue jays squawk, robins chirp, and woodpeckers drill. Rustling reveals chipmunks and squirrels scurrying and watching, and gobbling spotlights the harem of wild turkeys that lives on our road or the single tom turkey who digs by himself. In the quiet, field mice, groundhogs, raccoons, opposums, deer, foxes, coyotes, a black bear, bighorn sheep, and elk have crossed my path.

One of most memorable moments of quiet was the time Lucy and I were walking in the South Mountain Reservation and we sat down to watch a young male deer. Lucy didn’t bark, I didn’t speak, and the deer sized us up and kept on grazing. After awhile, Lucy and I continued on our walk, and when we came to the field where I let Lucy off-leash to run, guess who joined us? The young, male deer wanted to play! He ran and so did Lucy and I, playing a game of catch-me-if-you-can. Pure joy.

Hon, keep listening. I am.

Sorbet for the Soul, Giant Wishes!

There we were, hiking down a trail in Meyer Ranch, Colorado this summer, when we came upon a meadow with the largest dandelions I’d ever seen. It’s like the universe was saying, “Hon, writing and publishing Kidlit is such a herculean ask, you need wishes big enough, loud enough, and strong enough to be carried all the way from the Rocky Mountains to the East Coast. Take a deep breath and blow!”

Turns out the palm-sized puffballs aren’t dandelions, but Western Salsify whose flowers looks like a yellow daisies. Soon after, we met the infamous llamas, Stardust and OnFire, and that chance meeting was even more spectacular than hiking in the Rockies, discovering golfball-sized dandelion lookalikes, listening to the click-click-click of a flying grasshopper, passing an elderly man hiking uphill with a cannula and portable oxygen, and saying hi to many happy dogs with their people.

Then, a week ago I was on a run and stopped mid-stride to take a pic. I asked the homeowner if he’d put “Don’t Give Up” out just for me and he said, “If that’s what you need…”

It is. It’s what I need.

So, in an effort to take a deep breath and blow my wishes and energy and thoughts and words and characters and layers and stories all the way from my imagination to the page to childrens’ imaginations, I’m posting a series called Sorbet for the Soul–photos and sentiments along with literal and figurative signs which beg for my attention.

Maybe if I take a moment to blow giant wishes and absorb messages and do the thing that informs my life–finding the extraordinary in the ordinary–my herculean ask will one day soon come to fruition.

Western Salsify flower, image source: Wildflowers of the United States.

Calling Dibs, Jinx, Shotgun, and Other Things No One Knows the Rules To by Theresa Julian

Humor Expert At It Again!

Theresa Julian’s newest book, Calling Dibs, Jinx, Shotgun, and Other Things No One Knows the Rules to is a natural third book in her series with the The Joke Machine and 101 Hilarious Pranks and Practical Jokes. Like the Joke and Pranks books, illustrated by Pat Lewis, Calling Dibs, illustrated by Kim Griffin, is a funny, punny guide on “who gets dibs on the last slice of pizza” and “who’s ‘it’ when two people call ‘not it’ at the same time.” The book was written with 8-12 year-olds in mind, but anyone who wants to connect with kids and nostalgic adults will laugh-out-loud at Theresa’s rules and game challenges.

Theresa, critique-partner, writer-friend, and fellow triplets-mom, is getting good press! Time for Kids magazine featured her “How to Write Funny” advice and Highlights for Children Magazine asked her to share some “tips and tricks of the trade.” So cool!

Published June 29, 2020

Connect with Theresa on Twitter @Theresa_Julian, Instagram tm_julian, TikTok @thefunnyu

Meaning and Miró , The Smallest Noise and Constellations of Sounds

Joan Miró, gouache, c.1934

Last in series of posts from Fundació Joan Miró in Barcelona.

I found many of Miró’s works intriguing for their artistry and for their meanings. As a writer whose Kidlit language is lyrical and seemingly simple, but actually layered with emotion and action, I appreciate knowing the thoughts that inspired the process.

When it comes to canvases saturated with one color, I have a harder time connecting to the work, but the meaning behind “Landscape” felt different–it’s like us as individuals in our lives or us as humans in the universe.

“Letters and Numbers Attracted by a Spark(V)” called out to me. Letters float in the sky and look down on water and earth. I wonder,

Do the letters which form sentences and tell stories that are derived from my imagination with the goal of resonating with children ever going to get a chance to come to life?

The depth of meaning in Joan Miró’s work springs from a desire to capture the essence of human existence. On a personal level, this desire also implied an affirmation of identity that arose from Miró’s strong connection with the land–with Mont-roig, the original source of his creativity. ‘It is the land, the land. It is stronger than I. The fantastic mountains have a very important role in my life, and so does the sky. It is the clash between these forms within my soul, rather than the vision itself. In Mont-roig it is the force that nurtures me, the force.’

Excerpts from Fundació Joan Miró

Landscape, c. 1968

“‘Silence is a denial of noise – but the smallest noise in the midst of silence becomes enormous,’ said Miró. As the only referential element, a blurry point acquires a powerful presence, but also makes the space around it resonate. Therefore the point reinforces the presence of the space while also emphasizing the weave, the material of the canvas.” (https://www.fmirobcn.org/en/)

Manifesting a Grasshopper?

Bonding with a striped-leg grasshopper.

One of my favorite sounds is the nighttime chirping of grasshoppers and crickets. Summer chirping lulls me to sleep the same way as ocean waves. Right about now, in mid-October, I pay close attention to insect mate-calling. There will be a night when the air is filled with nature’s stereo, and the next night the record’s put back in its sleeve. Though I love autumn, it makes me melancholy to bid an official farewell to perfect-temperature-nights, warm-sand-days, and a summer’s promise of possibilities.

As I continue to work towards my writing goals, I’ve added something to my thought process–manifestation. I concentrate on my goals; what they are and what it would feel like to achieve them. If you see me gazing at the sky, know that I am sending my independent-minded characters, lyrical writing, and layered stories out into the universe, hoping they find champions who will bring them to life.

Did I know that when I read the poignant poem Postlude, I was also manifesting a grasshopper? I did not, but there he was, away from his lawn forest, a striped-leg, little guy who let me scoop him up. When I opened up my palm, he hung out and studied me with his five eyes. Then, he hopped out of my hand.

Do you think it’s a sign? A coincidence? A message from the universe that my-work-my-heart-my-passion to share the wonder in the world by writing Kidlit is traveling on both puffy white clouds and waving green grass? I pray so.

Stay by the hearth, little cricket.
Cendrillon

You prefer me invisible, no more than
a crisp salute far away from 
your silks and firewood and woolens.

Out of sight, I’m merely an annoyance,
one slim, obstinate wrinkle in night’s 
deepening trance. When sleep fails,

you wish me shushed and back in my hole.
As usual, you’re not listening: Time stops
only if you stop long enough to hear it

passing. This is my business:
I’ve got ten weeks left to croon through.
What you hear is a lifetime of song.

by Rita Dove, Pulitzer Prize winning poet

101 Hilarious Pranks and Practical Jokes! New Middle Grade Book by Theresa Julian

Theresa Julian, critique partner, writer-friend, published author, and fellow triplets mom, can be called a humor expert. Her first book, The Joke Machine, teaches kids how they can increase their own funny factor. Her second book, 101 HILARIOUS PRANKS AND PRACTICAL JOKES, illustrated by Pat Lewis, is now out in the world! Woohoo! Darlene Beck-Jacobson added an excellent post to her blog “Gold From The Dust: Bringing Stories to Life,” in which Theresa gives potential pranksters a leg up by sharing tips from her book. Darlene’s post is re-blogged below.

Theresa says:

Did you know:

  • Cows moo with different accents – depending on where they live?
  • The bones in the human body are held together by marshmallow taffy?
  • Snakes don’t live in swamps, they live in potato chips cans, like this:

If you didn’t know these facts, it’s okay because – none of them are true. I’m pulling your leg. Kidding. Pranking you.

If there’s a little jokester in your life who wants to learn about pranking, check out 101 Hilarious Pranks & Practical Jokesa middle grade book written by me and illustrated by Pat Lewis. This super silly book includes – you guessed it – 101 pranks, AND explains how to pull the perfect trick.

The book teaches kids how to pace their prank, find the right attitude, and create a story around it. It explains how kids can kick their pranks up a notch through physical humor, which is using their body to make someone laugh. It’s using goofy faces, funny voices, slipping, tripping, and weird smells and sounds to make their pranks extra awesome.

Here are some tips from the book:

Attitude

Start a prank with the right attitude. How would you feel if you were really in the prank situation? If you’re pretending you’ve just won a million dollars, act thrilled. If you’re pretending you broke a window, act shocked. If you’ve filled the cabinet with ping-pong balls, act casual and wait for someone to open the door. Pick an attitude, commit to it, and sell it.

Story

Create an interesting story around your prank. Let’s say you want to convince your friend that your family has a “dead finger” collection and you’ve brought in your favorite one to show her. But, of course, it’s really just your finger in a box, covered in ketchup and avocado mush.

If you walk up to your friend and show her the box, it may not be very effective. But if you build it up with a story that draws her in, and then show the box, you’ll get a bigger reaction. 

Try creating a story like this: You crept down your creaky basement stairs; opened the rusty door to the back room; and gagged at the stench of rotting skin. When you turned on the light, you found that there, in your very own basement, was a dead-finger collection – probably great-grandpa’s from the war. Now, when you show the box, you’ll probably get the reaction you were looking for.

Pacing

A good prank is carefully paced, not blurted out or rushed.

Picture this: Your brother walks into the kitchen and hasn’t yet seen the fake tarantula on the cheese casserole. Do you jump up and yell, “Look at the cheese casserole, ha ha!”? No, of course not. You sit and wait, distract him with comments about how good you’ve been (which, is always true, right?), and wait for the time to be ripe. It’s sooo much better if he finds the hairy spider himself!

Funny Faces

Let’s face it, facial expressions are key to a good prank because they help sell your story. Picture a face that’s afraid, amazed, annoyed, or bored, like the ones below.

The right face can say a lot more than words. So when you’re pranking, let your face do the talking!

Kooky Arms & Legs

Get your whole body into the prank. If you tell your friend the rat in the garage is THIS BIG, fling out your arms and show just how big. If you’re pretending you’re about to vomit, clutch your stomach, moan and double over in pain. In the prankiverse, body language reinforces your story and paints a picture, and is often funnier than words.

Silly Voices and Sounds

Silly voices and sounds make pranks more believable and fun. If you’re pretending you’ve broken a window, download a crashing glass sound and play it on your phone or computer. If you’ll make a prank call, you’ll need to disguise your voice with an accent or different tone. Funny voices are fun to create and once you’ve nailed a few, you’ll wonder how you ever lived without them!

Slipping, Tripping and Prat-falling

101 Hilarious Pranks & Practical Jokes teaches you how to pretend you’re slipping, tripping and falling, so you get the reaction you want. For example, here’s how to pretend you’re hitting your head on a door:

The book also explains how to crack your nose, bite off your finger, detach your head, spit out your teeth, push a pencil through your head, rip your eyeball out, slip in poop, and control gravity. You’re welcome.

So, if there’s a little prankster in your life who’s looking to learn completely ridiculous skills, such as how to use goofy faces, funny voices, bad smells, weird sounds, and smooth body moves to trick their friends, check out 101 HILARIOUS PRANKS AND PRACTICAL JOKES which goes on sale Sept. 28, 2021. Then — watch your back

Theresa Julian loves chocolate, changing her ringtones, and writing humorous books for middle graders. Her books have been featured in TIME for Kids magazine, the Barnes & Noble Kid’s Blog, and Today.com. Theresa is a graduate of Boston College and has a Master’s in Corporate Communications. After many years of writing business documents for large corporations, she’s now happily living on the beach, writing funny books for kids. Her mother claims Theresa spent most of first grade sleeping on her desk, but don’t worry, she’s awake now, dreaming up new ways to keep kids reading and laughing.

Connect with Theresa on http://www.TheresaJulian.com
Twitter: @Theresa_Julian
Instagram: @tm_julian

Immersive Van Gogh Exhibit, Part 2

At the Immersive Van Gogh Exhibit New York on Pier 36, when you exit the rooms with videos, you come across the quote, “What would life be if we had no courage to attempt anything?” This quote, and the fact that Van Gogh only sold one painting during his lifetime, spoke to me and my writing journey. Thank you, Vincent, I am brave!

I recently Tweeted a comment from a friend. Upon hearing how hard it is to break into Kidlit, she said, “A lot of people get famous after they die.” Ummm…WHAT?! First of all, I don’t write Kidlit to become famous and, secondly, WHAT?! Was that meant as encouragement? Was she volunteering to be my “manuscript historian” and, once I depart this Earth, make sure my stories and characters see the light of day and laps of children?

Back to Vincent. Turn the corner from his quote and you see mannequins adorned in interpretive fashion. I disagree with Jason Farago, whose review “Submerged in van Gogh: Would Absinthe Make the Art Grow Fonder? in The New York Times said that the mannequins were wearing “shockingly tacky van Gogh-inspired clothing. (Where might these dresses festooned with wheat and sunflowers be appropriate? The Miss Provence pageant? Is there a Saint-Rémy drag night I don’t know about?)” Funny, but as a former student of fashion history, I enjoy seeing how designers create clothes, even if they’re made from unwearable material. A fashion exhibit at The Metropolitan Museum of Art comes to mind; dresses made of blue and white Chinoiserie were extraordinary.

One more thing to try before you leave the exhibit is a booth where you can “hear” color. I didn’t know Van Gogh experienced chromesthesia, a condition where sound evokes different colors.

Hon, still thinking about the “better off dead” comment? Me, too. And still shaking my head.