New ceramics supplies at the Visual Arts Center of NJ means time to experiment! I’ve been creating textured dishes with the studio’s GR Pottery Forms. These cool, fiberboard shapes come in a variety of shapes and sizes, and I’ve been having fun trying out different forms, applying textures, and finishing with different glaze combinations.
Next up will be small, wheel-thrown bud vases. Hon, I’ll let you know how they turn out.
The first place we visited in Barcelona was Gaudi’s first project. Casa Vicens was designed and built between 1883 and 1885 as a summer house for the Vicens family. Antoni Gaudi i Cornet (1852-1926) “is one of the most noteworthy figures in universal architecture.” The house is a marvel even before you enter, with its wrought iron palm leaf gates, ceramic tiled walls, and interesting doorways. The garden is planted in colors that coordinate with the house.
Gaudi was lauded for “his support for traditional architecture, along with his exceptionally ground-breaking genius both in terms of shapes and the building and structural systems of his projects.” He designed buildings where “the construction and ornamentation are integrated in such a way that one cannot be understood without the other.” Casa Vicens was declared a Unesco World Heritage site in 2005. ( https://casavicens.org/casa-vicens/)
Have you been to Barcelona? What did you think of the Gaudi architecture?
Wall of ceramic sunflowers and leaves.
Lantern with colorful disks in entranceway filled with texture, colors and patterns.
Vivid blue arched ceilings and stained glass windows.
Cool perspective and view of cherub sitting on a ledge.
I spent a large part of the Fall semester’s Ceramic class working on a project that was way more challenging than I’d imagined. Since I’m going to Raku glaze and fire those pieces, that “Show-n-Tell” is a long way off. Once I’d finished throwing a number of closed spheres, I wanted to work on easier projects that would be glazed and fired much more quickly. Hon, you know I love texture so I pulled out my texture mats and got to work.
These ceramic pieces were created by using inspirational forms available at the studio. For the two small, shallow bowls and square bowl, rolled out clay was textured and then laid, trimmed and pressed into wooden bowls. The larger tray was textured and then draped, trimmed and pressed on top of a wooden tray. The berry bowl is an add-on. It’s not textured but I punched holes out to create a small colander. That was a project that I’d put away half-way done and just finished. So sweet!
It’s amazing how tents, tables and chairs can transform a space, especially after tables are decorated. At my niece’s wedding in our backyard, a pretty and relaxed tone was set with gauze runners, long boughs of eucalyptus, small and medium bud vases, wood-framed photos, and wooden coasters. Hon, you know I love texture and color, so I found the play of filmy blue fabric, soft green leaves, sharp wooden edges, smooth clear glass, and bright yellow flowers a pleasing combination.
Tents, tables and chairs created places to gather and eat.
Set on top of light blue gauze runners, eucalyptus boughs encircled wooden frames, bud vases and wooden coasters.
My niece created DIY decorations/favors by modge-podging photos onto wooden coasters.
Aline and Cherie’s dog, Mochi, may have been with a dog sitter, but she was there in spirit.
Neriage (pronounced nair-ee-ah-gee)is the Japanese word for the technique of combining different colored clays.
Neriage, according to ceramic artist Thomas Hoadley, comes from “neri…a root word meaning ‘to mix’ and age…a root word meaning to ‘pull up.’ This refers to the pulling up action in throwing clay on a wheel, hence neriage refers to wheel work with colored clays.”
I created these bowls by layering brown and white clay, and then throwing the combined clay. I glazed the insides in matte white and the outsides in glossy clear. Stripes give way to swirls and, since I wanted to maintain the clays’ natural patterns and didn’t smooth the insides completely, you can feel some of the throwing lines.
Creating snowmen or other snowy scenes using a shaving cream/glue combo is snow fun because it engages several senses. The kids smell the shaving cream, listen to the can, feel the texture, and see the color. What ratio of shaving cream to glue to use? According to KiwiCo Corner, “Mix one part shaving cream with one part glue. The mixture ends up thick and goopy–and dries up puffy, like snow!” The “snow paint” can be applied with paintbrushes, sponges, spoons or hands. (Two year-olds like to use their hands. LOL!)
As recommended by a Three’s teacher, I outlined snowmen, glopped “snow paint” onto the snowmen sections, and handed out spoons. Each child picked buttons and a construction paper hat, scarf, eyes, and carrot nose. Fun!
Next multi-media and textured project: Winter scenes of green, felt trees on black construction paper, snow made with both silver glitter and Q-tips dotted white paint. Winter spirit!