Roof Garden Art, The Theater of Disappearance

Stork.

Baby.

A visit to the Metropolitan Museum of Art wouldn’t be complete without a visit to the roof. Not only do you get an amazing view of Manhattan, you get to explore changing exhibitions. On view until October 29, 2017 is sculptor Adrián Villar RojasThe Theater of Disappearance, a “performative diorama, where banquet tables occupy an oversize black-and-white checkerboard floor punctuated by sculptures that fuse together human figures and artifacts found within the museum. The resulting juxtapositions put forth a radical reinterpretation of museum practices.”

Argentinian artist Adrián Villar Rojas has transformed the Cantor Roof with an intricate site-specific installation that uses the Museum itself as its raw material. Featuring detailed replicas of nearly 100 objects from The Met collection, The Theater of Disappearance encompasses thousands of years of artistic production over several continents and cultures, and fuses them with facsimiles of contemporary human figures as well as furniture, animals, cutlery, and food. Each object—whether a 1,000-year-old decorative plate or a human hand—is rendered in the same black or white material and coated in a thin layer of dust.

The artist has reconfigured the environment of the Cantor Roof by adding a new pergola, a grand tiled floor, a bar, public benches and augmented planting throughout the space. The Met’s own alphabet has even been incorporated into the graphic identity of the project. To realize this extensive work, the artist immersed himself in the Museum and its staff for many months, holding conversations with the curators, conservators, managers, and technicians across every department who contributed to the realization of this installation.

Hidden woman.

Traveler.

Kissing couple.

Man with eels and rock.

Masked man.

In honor of my love of art, and especially Impressionists, check out new Edgar Degas exhibits on Artsy. In addition to Degas’s bio, over 200 of his works, and exclusive articles, you’ll find up-to-date Degas exhibition listings such as The National Gallery in London exhibit Drawn in Colour: Degas from the Burrell, and an upcoming show at the Musée d’Orsay in Paris.

Related post: Edgar Degas: A Strange New Beauty

Happy viewing, hon.

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Roof Garden Art, Hedge Two-Way Mirror Walkabout

Hedge Two-way Mirror Walkabout.

Hedge Two-way Mirror Walkabout.

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When I visit the The Metropolitan Museum of Art in Manhattan, I try to visit the roof garden. Not only are installations interactive, the view of Central Park is beautiful.

I hope to get to The Met’s current roof garden Installation, The Theater of Disappearance by Adrián Villar Rojas, which in on display until October 29, 2017.

Hedge Two-Way Mirror Walkabout, exhibited in 2014, was created by American artist Dan Graham and Swiss landscape architect Günther Vogt. “Comprising curves of steel and two-way mirrored glass between ivy hedgerows, Graham’s structure is part garden maze and part modernist skyscraper façade, set within a specially engineered terrain.” The glass was “both transparent and reflective, creating a changing and visually complex environment for visitors.”

“For decades, Dan Graham has created work that challenges viewers to think in new and thought-provoking ways about the streets and cities they traverse every day,” said Thomas P. Campbell, Director and CEO of the Metropolitan Museum.

For the artist, the mirrored cladding of a corporate headquarters symbolizes economic power and sleek efficiency; it also provides a certain camouflage, reflecting the world around it as it shields what happens inside from prying eyes.

With this signature material, Graham’s pavilions also transform observers of the work into performers within it, and, through the sight of their own reflections, make them acutely aware of their own viewership.

The evergreen plantings that edge the parapets also reminded Graham of the shrubbery that often demarcates private property lines in the New Jersey suburbs of his youth. Graham’s collaboration with Günther Vogt further illuminates the site’s multilayered references—historic gardens, public parks, contemporary corporate architecture, and the suburban lawn—as its pavilion engages the viewer in a historic and complex mirror-play.

Glass and steel "pavilion."

“If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.” Emile Zola

Sources:

Click here to link to The Met’s page with a cool video on how the art was installed.

Click Interesting interview with Dan Graham to learn more about Graham’s work.