Little Women, Lovely and Moving

One of the most beautiful movies I’ve ever seen.

The newest movie version of Little Women, based on Louisa May Alcott’s novel featuring Saoirse Ronan, Emma Watson, Florence Pugh, and Eliza Scanlen as the four March sisters, left me weeping. So beautiful! So emotional! It wasn’t just the costumes, setting and lighting that made this version lovely; the character development and story ensured I root for each sister.

Jo March’s need to put words to paper touched me deeply, and witnessing the creation of her book mirrored my own desire to bring my stories to life. I wept as the pages were printed, paper folded, spine sewn, cover glued, and title embossed. Though the time period is different, her dream is my dream and, in wanting to be more than what society expects, a wish for the ages.

Hon, have you seen it? What did you think?

Alcott’s novel was originally published in two volumes in 1868 and 1869, with the first volume following the March sisters—Jo, Mary, Beth, and Amy—throughout their childhood growing up in Massachusetts and the second volume picking up with the characters in adulthood. Instead of presenting the story in two halves, [Greta] Gerwig’s film layers the past and the present throughout the entire movie, flashing back and forth in an attempt to compare and contrast the characters in these two different periods of their lives.

The result is a wildly emotional and deeply impactful piece of storytelling, as the naiveté and endless possibilities of childhood stand in stark contrast to the harsh realities of navigating the world as an adult—and as an adult woman in the 1860s at that. by  for Collider.com

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