Last summer in Venice, my daughter and I discovered something beautiful and peaceful behind the Church of San Giorgio Maggiore. We had taken the vaparetto, or water taxi, to the island of San Giorgio to see the views from the bell tower. We spotted a bright blue rectangle and we were curious.
The ‘Glass Tea House Mondrian’ by Japanese artist Hiroshi Sugimoto unites wood, glass and water as a pavilion, holding the traditional japanese tea ceremony within its transparent walls. The temporary structure consists of two main elements: an open-air landscape courtyard and an enclosed glass cube.
The garden follows a path leading along a forty-foot-long reflecting pool completely covered in Bisazza mosaic, guiding the visitor to a lucent space, inside which the cultural ritual is performed. The pavilion hosts two visitors at once, together with the master of the tea ceremony, while the other spectators can take part by watching around the perimeter of the reflecting pool.
Relating to its surrounding environment and the historical context of the site, Sugimoto’s ‘Glass Tea House’ suggests a subtle analogy between the ancient tea ceremony practice and the art of venetian glassmaking.
Happy exploring, hon.